I wonder who wound up with it in the divorce—and notice immediately how wound is the same, when you’re typing, as wound, a hurt—that tacky ceramic number, tricked out with leaves and grapes, I picked off the gift registry at Marshall Field’s and actually saw hard at work once—full of bubbly steaming brown gravy!—on a Thanksgiving table, oh, five, six years ago. It’s the name that grabbed me, a boat designed to keep liquid in, that frail coracle that carries not necessity, but condiment— this rich, salty blend of meat drippings and flour in the original, whisked up right in the pan, or some processed, jarred whoseywhat from Wegman’s, nuked and on the table in 60 seconds flat. If I had any say in it, it would’ve been flung at the wall—finger-pointing, yelling, goddamnit, a ducked head and crash!—in an after-midnight fight months before anything was “settled,” the paltry goods divvied up, boxed and trucked off—what’s left hauled away to what’s next. Let it be one more victim, watercolory shards of green and brown on waxy linoleum, swept up, binned and gone— to be dumped and forgotten, left to crumble into dust and blow away into the dark indifferent waters off Staten Island from the landfill called Fresh Kills.
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